Cardioid & End-Fire Sub
Directional subwoofer arrays with live polar plot and stage rejection.
Cardioid (CSA) & End-Fire Subwoofer Array Designer
Model quarter-wavelength () physical spacing, DSP tap delays, polarity inversion, and 360° polar stage rejection for directional subwoofer arrays.
Gradient Cardioid (CSA) vs. End-Fire Acoustic Array Physics
Low-frequency subwoofers radiate omnidirectionally because their cabinet dimensions are small relative to wavelengths below (). Left unchecked, omnidirectional bass floods the stage, causing low-end feedback into open vocal and drum microphones and muddying the hall’s reverberant field.
In a Gradient Cardioid Subwoofer Array (CSA), a rear subwoofer is placed at distance behind the front cabinet (or reversed inside a stack), delayed electronically by , and polarity-inverted (). Traveling toward the stage (), the front wave takes to reach the rear sub, meeting the rear sub’s delayed and inverted wave at exact opposition, creating a deep rear cancellation null! Traveling forward toward the audience (), the rear wave travels an extra path () plus its electronic delay () plus its polarity flip, totaling ( in-phase summation) at the tuning frequency .
Nomenclature & Physical Variables
- Center target cancellation frequency for stage rejectionUnit: Hz
- Acoustic center-to-center spacing between subwoofer rowsUnit: m
- Electronic DSP delay applied per row or to the rear elementUnit: ms
- Horizontal azimuth angle ( on-axis audience, stage)Unit: deg
- When physical front-to-back stage depth is tight, use a Reversed-Back Cardioid Stack (2 forward subs + 1 rear-facing sub): measure the acoustic path wrap-around distance from front grille to rear grille (~ to ) to set , invert the rear box, and attenuate the rear box by to match the dual front drivers at the rear cancellation point.
- End-Fire arrays require more physical depth in front of the stage ( to for 4 rows) but deliver superior forward throw and tighter impulse coherence than CSA stacks.