RACK/ARRAYS & PHASE
r(θ)r(\theta)

Cardioid & End-Fire Sub

Directional subwoofer arrays with live polar plot and stage rejection.

MOD-04•DIRECTIONAL LOW-FREQUENCY ARRAY BENCH

Cardioid (CSA) & End-Fire Subwoofer Array Designer

Model quarter-wavelength (λ/4\lambda/4) physical spacing, DSP tap delays, polarity inversion, and 360° polar stage rejection for directional subwoofer arrays.

Sub Array Presets
ELEMENT SPACING & DSP TAP DELAYs, Δts,\ \Delta t
1.36m/3.97ms
4.47 ft center-to-centerλ = 5.45 m
REAR STAGE REJECTION (180°)ΔL180∘\Delta L_{180^\circ}
−30.0dB
Evaluated @ 63 HzDEEP CARDIOID NULL
ON-AXIS SUMMATION (0° AUDIENCE)G0∘G_{0^\circ}
+6.0dB
Topology: 2-Elem CSA (Rear Inv)vs Single Sub
ARRAY TOPOLOGY & TIMING PARAMETERS
Directional Subwoofer Topology
Hz
35 Hz100 Hz
Quarter-Wavelength Spacing Lock (s = λ/4)
Hz
30 Hz125 Hz
°C
0 °C40 °C
360° POLAR DISPERSION & PHYSICAL STAGE LAYOUT
Polar Response @ 63 HzTuned Reference @ 63 Hz
0° = AUDIENCE (TOP) | 180° = STAGE (BOTTOM)
-6dB-12dB-18dB-24dB0dB0° AUDIENCE (FOH)180° STAGE REAR (−30.0 dB)PHYSICAL DEPLOYMENT & DSP PATCHTO AUDIENCEFRONT SUB0.00 ms | 0°s = 1.36 m(λ / 4 @ 63Hz)REAR SUB3.97ms | 180° INV
HOW IT WORKS: ELECTRO-ACOUSTIC PHYSICS & MATHEMATICAL DERIVATION

Gradient Cardioid (CSA) vs. End-Fire Acoustic Array Physics

Low-frequency subwoofers radiate omnidirectionally because their cabinet dimensions are small relative to wavelengths below 100 Hz100\text{ Hz} (λ>3.4 m\lambda > 3.4\text{ m}). Left unchecked, omnidirectional bass floods the stage, causing low-end feedback into open vocal and drum microphones and muddying the hall’s reverberant field.

In a Gradient Cardioid Subwoofer Array (CSA), a rear subwoofer is placed at distance s=λ/4s = \lambda/4 behind the front cabinet (or reversed inside a stack), delayed electronically by Δt=s/c\Delta t = s/c, and polarity-inverted (180∘180^\circ). Traveling toward the stage (180∘180^\circ), the front wave takes Δt\Delta t to reach the rear sub, meeting the rear sub’s delayed and inverted wave at exact 180∘180^\circ opposition, creating a deep rear cancellation null! Traveling forward toward the audience (0∘0^\circ), the rear wave travels an extra λ/4\lambda/4 path (90∘90^\circ) plus its λ/4\lambda/4 electronic delay (90∘90^\circ) plus its 180∘180^\circ polarity flip, totaling 360∘360^\circ (0∘0^\circ in-phase summation) at the tuning frequency f0f_0.

Quarter-Wavelength Optimal Spacing & Tap DelayEQ-01
sopt=λ04=c4f0,Δt=sc=14f0s_{\text{opt}} = \frac{\lambda_0}{4} = \frac{c}{4 f_0}, \qquad \Delta t = \frac{s}{c} = \frac{1}{4 f_0}
Normalized Cardioid Polar Directivity FunctionEQ-02
DCSA(θ,f)=∣cos⁡ ⁣(π2−πf2f0(1+cos⁡θ))∣D_{\text{CSA}}(\theta, f) = \left| \cos\!\left( \frac{\pi}{2} - \frac{\pi f}{2 f_0}(1 + \cos\theta) \right) \right|
At f=f0f = f_0: Forward θ=0∘⇒∣cos⁡(−π/2+π)∣=1\theta = 0^\circ \Rightarrow |\cos(-\pi/2 + \pi)| = 1 (0 dB0\text{ dB}); Rear θ=180∘⇒∣cos⁡(π/2)∣=0\theta = 180^\circ \Rightarrow |\cos(\pi/2)| = 0 (−∞ dB-\infty\text{ dB} theoretical null).

Nomenclature & Physical Variables

  • f0f_0
    Center target cancellation frequency for stage rejection
    Unit: Hz
  • ss
    Acoustic center-to-center spacing between subwoofer rows
    Unit: m
  • Δt\Delta t
    Electronic DSP delay applied per row or to the rear element
    Unit: ms
  • θ\theta
    Horizontal azimuth angle (0∘0^\circ on-axis audience, 180∘180^\circ stage)
    Unit: deg
FOH & System Tech Field Application Notes
  • When physical front-to-back stage depth is tight, use a Reversed-Back Cardioid Stack (2 forward subs + 1 rear-facing sub): measure the acoustic path wrap-around distance from front grille to rear grille (~0.9 m0.9\text{ m} to 1.2 m1.2\text{ m}) to set Δt\Delta t, invert the rear box, and attenuate the rear box by −3 dB-3\text{ dB} to match the dual front drivers at the rear cancellation point.
  • End-Fire arrays require more physical depth in front of the stage (3 m3\text{ m} to 4.5 m4.5\text{ m} for 4 rows) but deliver superior forward throw and tighter impulse coherence than CSA stacks.