Comb Filter Analyzer
Cancellation notches, peaks and phasor summation from path differences.
Comb Filtering & Two-Source Phase Interference
Analyze destructive phase cancellation notches (), constructive peaks, and vector phasor summation between two coherent acoustic or electrical paths.
Two-Source Interference, Transfer Function & The 3:1 Microphone Rule
When an identical acoustic signal reaches a microphone or listener ear via two pathways separated by a time delay , their sinusoidal pressure waves add coherently in some frequency bands and cancel destructively in others. Plotting this summation on a linear frequency scale reveals uniformly spaced notches resembling the teeth of a hair comb.
The first cancellation null occurs at the frequency whose period equals (so the delayed path lags by exactly , or ). Successive nulls occur at every odd multiple . However, comb filtering severity depends heavily on the relative amplitude ratio : if the secondary reflection or mic bleed is attenuated by at least (the basis of the 3:1 Microphone Distance Rule), peak-to-dip ripple shrinks to less than .
Nomenclature & Physical Variables
- Time-of-flight arrival offset between Primary and Secondary pathsUnit: s (or ms)
- Linear voltage/pressure amplitude ratio of Secondary to Primary signalUnit: ratio
- Fundamental first destructive cancellation notch frequencyUnit: Hz
- Frequency spacing between adjacent peaks or adjacent nullsUnit: Hz
- Follow the 3:1 Microphone Placement Rule: keep adjacent open stage microphones separated by at least the source-to-mic distance so acoustic bleed arrives at least lower in level.
- Never equalize narrow comb-filter notches with steep parametric boost filters; moving to the left or right shifts every notch frequency, turning your EQ boosts into harsh resonant peaks.