SPL Throw & Headroom
SPL at any distance for point or line sources, with amplifier headroom analysis.
Inverse Square Law, SPL Throw & Amplifier Headroom
Compare Point Source spherical divergence ( per distance doubling) against Line Array cylindrical coupling ( in the near-field) and verify continuous vs. peak amplifier headroom at FOH.
Spherical vs. Cylindrical Wavefront Divergence & Amplifier Crest Factor
A single point-source loudspeaker radiates sound omnidirectionally (or into a constant spherical solid angle), spreading its acoustic power over a surface area proportional to . Consequently, sound intensity drops with the square of distance (), translating to of SPL loss for every doubling of distance.
By contrast, a vertical line array of length creates a coherent cylindrical wavefront within its near-field Fresnel region (). Because a cylinder’s surface area expands linearly with radius (), acoustic energy decays at only per distance doubling until reaching the transition distance , beyond which spherical divergence resumes.
Nomenclature & Physical Variables
- Half-space or free-field axial sensitivity atUnit: dB SPL
- Continuous RMS electrical power delivered by amplifierUnit: W
- Fresnel near-field to Fraunhofer far-field border distanceUnit: m
- Signal Crest Factor (Peak-to-RMS ratio in dB)Unit: dB
- Doubling amplifier wattage yields only of acoustic gain, and once voice-coil thermal compression sets in ( to loss at high drive), brute-force wattage yields diminishing returns; add acoustic coupling instead.
- Always budget at least of Crest Factor headroom for dynamic live bands so snare and kick drum transients do not trigger limiter pumping.